alto arias st matthew passion

Helen Johnston (a student at Queen's College, London) translated the libretto of the Passion, and Bennett conducted the first English performance at the Hanover Square Rooms London on 6 April 1854 (the same year that it appeared in print by the Old Bach Society (Alte Bach-Gesellschaft). Bach: Matthäus-Passion - Arien & Chöre. The narration of the Gospel texts is sung by the tenor Evangelist in secco recitative accompanied only by continuo. "Jesus is anointed with precious ointment", 4. The work is divided into two parts to be performed before and after the sermon of the Good Friday service. a maximum of what could be fitted in the organ lofts. Many of the Alto arias selected here are amongst the most frequently performed extracts from the great Oratorios. These are not always sung by all different soloists. View credits, reviews, tracks and shop for the 1962 Vinyl release of Arias From St. Matthew Passion on Discogs. This 2019 recording marks 20 years for that recording, with the complete sacred and secular cantatas behind them, not to mention numerous recordings of other composers. Hier zittert das gequälte Herz, Der Heiland fällt vor seinem Vater nieder. The soloists included Charlotte Helen Sainton-Dolby. Matthäus-Passion BWV 244 English Translation in Interlinear Format Saint Matthew Passion BWV 244: Event: Good Friday Text: Christian Friedrich Henrici (Picander), based on Matthäus 26-27 Chorale Texts: Werde munter mein Gemüte | Meinen Jesum laß' ich nicht | Befiehl du deine Wege | O Haupt voll Blut und Wunden | Was mein Gott will, das g'scheh allzeit | O Welt, sieh hier dein Leben Continuo are violoncello, double bass, bassoon, and organ. "Soldiers crown Jesus with thorns, mocking him", 14. Find album reviews, stream songs, credits and award information for Bach: Arias from St. Matthew's Passion - Elly Ameling, Janet Baker on AllMusic - 2005 Aria Alto II: Können Tränen meiner Wangen is a popular song by American Bach Soloists & Dana Marsh & Jeffrey Thomas | Create your own TikTok videos with the St Matthew Passion, BWV 244 52. This was sung only in 1742 and 1743–1746 and had been played on the organ before. Bach created particularly distinctive accompagnato recitatives in this work: they are accompanied not by continuo alone, but also by the entire string section of the first orchestra using long, sustained notes and "highlighting" certain words, thus creating an effect often referred to as Jesus's "halo". Particular highlights of the St. Matthew Passion include two incredible alto arias: ‘Erbarme dich’, an exquisitely touching piece with a solo violin part which provides a moment of reflection after Peter's third betrayal of Jesus; and ‘Können Tränen meiner Wangen’, whose impassioned broken chords reference the shape of the cross, with which Jesus is then beginning his journey. 1730 – he reverted to the originally composed "Herr, unser Herrscher" there). Bach's recitatives often set the mood for the particular passages by highlighting emotionally charged words such as "crucify", "kill", or "mourn" with chromatic melodies. 1 Chorus I/II: "Kommt, Ihr Töchter, Helft Mir Klagen" By Johann Sebastian Bach English Baroque Soloists, John Eliot Gardiner, Monteverdi Choir, Patrick Russill, The London Oratory Junior Choir. [4] The performance took place in the St. Thomas Church (Thomaskirche) in Leipzig. It is there (No. The next scene (No. 66) officials remind Pilate of the talk of resurrection and ask for guards and a seal for the grave to prevent fraud. Matthew 26:1–2 places the first scene two days before the Passover feast. Column 1 of the table is the movement number in the Neue Bach-Ausgabe; column 2 is this number in the Bach-Werke-Verzeichnis. DG: 4696012. Bach If my weeping and my wailing (St Matthew Passion) J.S. St. Matthew Passion - Arias & Choruses J.S. In the St Matthew Passion there are three such extended choral movements: the opening chorus ("Kommt, ihr Töchter, helft mir klagen", text by Picander and. This week we’ll explore music inspired by Good Friday and Easter, both sacred and secular. In the revision of 1743–1746, it is also these words (the Vox Christi) that receive a sustained continuo part. The work is composed for double choir, double orchestra, and vocal soloists. In St. M… The CyberBass Project is Working Tirelessly to. [5], Klagt, Kinder, klagt es aller Welt, BWV 244a, a cantata of which only the text is extant, was performed 24 March 1729 in Köthen at a memorial service held some months after the death of Leopold, Prince of Anhalt-Köthen. Choral movements come in two additional formats (apart from the turba and dialogue with soloist roles already mentioned above): Cornerstone choral movements, or chorale fantasias: these are the extended movements, typically used to open or close both parts of the oratorio. Upon Jesus' declaration that one of the twelve will betray him in 9d, they ask him "Lord, is it I?" In a dramatic highpoint of the Passion,[17][18] the chorus (No. The CyberBass Project is Working Tirelessly to. Has been Temporarily Discontinued. Bach often uses madrigalisms, as in "Buß und Reu", where the flutes start playing a raindrop-like staccato as the alto sings of drops of his tears falling. Direct speech sections of the Gospel text are brought by other singers in the same "secco" format (e.g. Diminished seventh chords and sudden modulations accompany Jesus's apocalyptic prophecies. The bass aria No. Has been Temporarily Discontinued. This theme is reinforced by the concluding chorale of the first part, O Mensch, bewein dein' Sünde groß (O man, bewail your great sin). Bach took the Gospel text for the composition from Martin Luther's German translation of Matthew 26 and 27. This is notable in "O Mensch, bewein dein Sünde groß", the conclusion of the first half – a movement which Bach also used as an opening chorus for the second version (1725) of his St John Passion (later – ca. Particular highlights of the St. Matthew Passion include two incredible alto arias: ‘Erbarme dich’, an exquisitely touching piece with a solo violin part which provides a moment of reflection after Peter's third betrayal of Jesus; and ‘Können Tränen meiner Wangen’, whose impassioned broken chords reference the shape of the cross, with which Jesus is then beginning his journey. [6], At the time only men sang in church: high pitch vocal parts were usually performed by treble choristers. Bach finalized his autograph score in 1743–1746; however, this undertaking was not tied to any new performance.[10]. J.S. Disponible con una suscripción a Apple Music. Mendelssohn's revival brought the music of Bach, particularly the large-scale works, to public and scholarly attention (although the St John Passion had been rehearsed by the Singakademie in 1822). The Passion was performed under the Cantor of St. Thomas until about 1800. The alto aria No. 43), is impressed and is inclined to release him, as it was customary to release one prisoner for the holiday, supported in this by his wife. Matthäus-Passion BWV 244 English Translation in Interlinear Format Saint Matthew Passion BWV 244: Event: Good Friday Text: Christian Friedrich Henrici (Picander), based on Matthäus 26-27 Chorale Texts: Werde munter mein Gemüte | Meinen Jesum laß' ich nicht | Befiehl du deine Wege | O Haupt voll Blut und Wunden | Was mein Gott will, das g'scheh allzeit | O Welt, sieh hier dein Leben Bach included five stanzas of his "O Haupt voll Blut und Wunden" in the Passion, and he uses the first two stanzas of the poem to conclude the Flagellation scene. Most chorales are four-part settings. (‘Passion’ is derived from the Latin verb ‘patior’ meaning ‘to suffer’ or ‘endure’, from which we also get ‘patience’ and ‘patient’.) Alto: "Erbarme dich, mein Gott" de Dame Janet Baker & Münchener Bach-Orchester & Karl Richter sur Amazon Music. St. Matthew Passion, BWV 244: No. St. Matthew Passion: The Sale of MP3 Audio Files. Alto: 'Du lieber Heiland du' de Edith Mathis sur votre téléphone, ordinateur et système audio personnel avec Napster. [28] Around December 1828 – January 1829 Devrient persuaded Felix that the two of them should approach Zelter to get the Sing-Akademie to support their project. "Peter's denial of Christ, and his remorse", 12. While soprano and alto mourn (in duet, No. Bach." The word Herr appears 11 times, once for each disciple except Judas Iscariot. The St Matthew Passion was not heard in more or less its entirety outside Leipzig until 1829, when the twenty-year-old Felix Mendelssohn performed a version in Berlin, with the Berlin Singakademie, to great acclaim. Each aria marks the musical summit of the work in question. Bach's large choral composition was written to present the Passion, as told in the Gospel of Matthew, in a vespers service on Good Friday. Soliloquents are Judas (B), Peter (B), two witnesses (A T), two high priests (B), two maids (S), Pilate (B), and his wife (S). It is composed in two parts, that were to be performed before and after the sermon of that service. In "Erbarm es, Gott", the relentless dotted rhythm of the diminished chords evoke the emotional shock of the scourging.[16]. Catalogue No: E4334742; Label: Decca; Length: 48 minutes; Penguin Guide. Bach: Matthäus-Passion - Arien & Chöre. Koop 'Bach: St. Matthew Passion - Arias & Choruses van Berliner Philharmoniker' MP3 download online 7digital Nederland - Ruim 25 miljoen tracks van hoge kwaliteit in onze winkel After 16 measures of instrumental introduction in 128 time, driven by an ostinato rhythm in the basses, Chorus I intones Kommt, ihr Töchter, helft mir klagen, until in measure 26 they sing Sehet (Hark!) (Wreck, ruin, engulf, shatter with sudden force the false betrayer, the murderous blood!). After a few words of introduction by the Evangelist, the first words of Christ, set as an accompagnato recitative with slow strings, contain an ominous prediction of his imminent fate. Three chorales are written by Paul Gerhardt and Bach included five stanzas from his O Haupt voll Blut und Wunden. Once the fuller group of singers and the orchestra were brought in, Devrient recalled, participants were amazed at "the abundance of melodies, the rich expression of emotion, the passion, the singular style of declamation, and the force of the dramatic action. Their first performance was effectively publicized in six consecutive issues of the Berliner Allgemeine Musikalische Zeitung, founded and edited by Adolf Bernhard Marx. 29, concluding Part One, is a four-part setting of the chorale "Jesum lass ich nicht von mir" instead of the chorale fantasia on "O Mensch, bewein dein Sünde groß".[5]. VIOLINISTS! The St. Matthew Passionwas probably first performed on Good Friday (11 April) 1727 in the Thomaskirche in Leipzig, where Bach was the Kantor of the School and Directoris Chori musiciof Leipzig. Soprano 2: Alto 1. View credits, reviews, tracks and shop for the 1962 Vinyl release of Arias From St. Matthew Passion on Discogs. Johann Sebastian Bach 's St Matthew Passion ( Matthäuspassion ), BWV 244, is structured … Preview, buy and download high-quality music downloads of Bach: St. Matthew Passion - Arias & Choruses by Berliner Philharmoniker from 7digital Suomi - … On the way to the crucifixion site (No. The Evangelist, a tenor voice, sings the Gospel text in a declamatory style called secco recitative, that is, with only a continuo accompaniment. He dies. and Chorus II promptly asks Wen? The duet ‘So ist mein Jesus … The available information derives from extant early manuscripts, contemporary publications of the libretto, and circumstantial data, for instance in documents archived by the Town Council of Leipzig. But even by the standard of the Baroque Passion, the Passion According to St. Matthew is exceptional for its musical richness and its grand scope. Bach seems to have stimulated the poet to write more of such verse in order to come to a full-fledged libretto for a Passion presentation combined with the Passion text chapters 26 and 27 in the Gospel of St Matthew. Outside in the courtyard (No. The work is closed by a grand scale chorus in da capo form, choir I and II mostly in unison for the first part Wir setzen uns mit Tränen nieder (We sit down in tears), but in dialog in the middle section, choir II repeating "Ruhe sanfte, sanfte ruh!" Listen to Bach: St. Matthew Passion - Arias & Choruses by Herbert von Karajan, Gundula Janowitz, Christa Ludwig, Horst R. Laubenthal, Walter Berry, Berliner Philharmoniker, Wiener Singverein, Chor der Deutschen Oper Berlin, Staats- und Domchor Berlin, Johann Sebastian Bach. The woodwinds are two traversos, oboes and oboes d'amore for each choir, and in addition for choir I two oboes da caccia. Solo violin part from the aria “Erbarme dich, mein Gott” for alto, solo violin, and orchestra from St Matthew Passion, BWV 244 by J.S. Preview, buy and download high-quality music downloads of Bach: St. Matthew Passion - Arias & Choruses by Berliner Philharmoniker from 7digital Canada - We have over 30 … and Chorus (I & II). 6 Buß und Reu, an aria for alto, concludes the scene at Bethany. J.S. Johann Sebastian Bach (1685~1750)- Matthäus-Passion, BWV 244 -(für solisten, doppel chor und doppel orchester)Teil 2 / 39. Christian Friedrich Henrici (Picander), who collaborated with Bach, wrote text for recitatives and arias, and for the large scale choral movements that open and close the Passion. Luke". Label: Angel Records - S 36163,Angel Records - 36163,Angel Records - S. 36163 • Format: Vinyl LP, Stereo • Country: UK • Genre: Classical • 65, "Mache dich, mein Herze, rein", offers to bury Jesus himself. Edith Mathis (soprano), Janet Baker (mezzo), Peter Schreier (tenor), Dietrich Fischer-Dieskau (baritone), Matti Salminen (bass) Münchener Bach-Orchester, Karl Richter, Georg Ratzinger (chorus-master) 1727 sacred oratorio by Johann Sebastian Bach, Versions and contemporaneous performances, First version (BWV 244.1, previously 244b), Funeral cantata for Köthen (BWV 1143, previously 244a), Passion performances in the St. Thomas Church, Later revisions and performances (BWV 244.2, previously 244), Herzliebster Jesu, was hast du verbrochen, Without text (played by organ only) in older versions of the Passion, Klagt, Kinder, klagt es aller Welt, BWV 244a, St Matthew Passion structure § Numbering of the movements, List of chorale harmonisations by Johann Sebastian Bach § BWV 244–244b, Learn how and when to remove this template message. 7) has Judas Iscariot negotiating the price for handing Jesus over. Reflecting thoughts on contemporary poetry appear as sequence of recitatives (rec) and arias, sometimes just the latter, and in choral movements. The speech of Jesus sings in accompagnato recitative, except at the beginning of No. Label: Angel Records - S 36163,Angel Records - 36163,Angel Records - S. 36163 • Format: Vinyl LP, Stereo • Country: UK • Genre: Classical • Rifkin, Joshua (1982). [22], In 1824, Felix Mendelssohn's maternal grandmother Bella Salomon had given him a copy of the score of the Passion. 17 appears to be missing, and movement No. 19), two oboes, in certain movements instead oboe d'amore or oboe da caccia, two violins, viola, viola da gamba, and basso continuo. Chorales were performed by both groups combined,[citation needed] with each voice type in unison. In a third, on 18 April, Zelter conducted, and soon there were performances in Frankfurt (where a previously projected performance of the Passion had been upstaged by those in Berlin) and in Breslau and Stettin.[32]. The first scenes are in Jerusalem: Jesus announces his death (No. [2] A setting of the then-popular Brockes Passion libretto, largely consisting of such paraphrasing, could not be done without replacing the paraphrases by actual Gospel text. William Sterndale Bennett became a founder of the Bach Society of London in 1849 with the intention of introducing Bach's works to the English public. O Mensch, bewein dein Sünde groß (Chorale fatasie, text by Sebald Heyden) [1727/1729 version: "Jesum lass ich nicht von mir"; 1742 and 1743–1746 versions: ripieno soprano choir added to soprano line], 68. Aria Alto II: Können Tränen meiner Wangen song and explore 0 videos made by new and popular creators. Reproduzca canciones completas de St. Matthew Passion, BWV 244: Part III: Aria: Sehet, Jesus hat die Hand (Alto, Chorus) de Various Artists en su teléfono, computadora y sistema de … English music album J.S. We’ll start in one of the most sublime and powerful corners of J.S. St. Matthew Passion - Rilling: Lieder wrote (July 10, 2001): I currently own the Klempler and Gardiner recordings of the St.Matthew Passion, and, unlike many listeners, enjoy both versions. In the evening (No. – See the endurance) and ultimately Seht — Wohin? The first scene of Part Two is an interrogation at the High Priest Caiaphas (No. Toque músicas completas do álbum St Matthew Passion, BWV 244: Aria (alto): Buss und Reu de em seu telefone, computador e sistema de áudio em casa com o Various Artists. Arias from St Matthew's Passion ... Baker and Ameling singing gloriously the alto and soprano arias from a wonderful BBC archive recording of Bach's St. Matthew's Passion. The St Matthew Passion was probably first performed on 11 April (Good Friday) 1727 in the St. Thomas Church, and again on 15 April 1729, 30 March 1736, and 23 March 1742. Some arias have not been readily available in straightforward piano score for some years. Wir setzen uns mit Tränen nieder (Chorus I & II). Choir I consists of a soprano in ripieno voice, a soprano solo, an alto solo, a tenor solo, SATB chorus, two traversos, two oboes, two oboes d'amore, two oboes da caccia, lute, strings (two violin sections, violas and cellos), and continuo (at least organ). On the other hand, George Balanchine staged it in 1943 with Stokowski conducting, and the Hamburg Ballet presented a Saint Matthew Passion under John Neumeier with Peter Schreier in 1981. Notable staged performances include Jonathan Miller's 1997 production in English. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to "The Passion of our Lord J[esus] C[hrist] according to the Evangelist Matthew".[1]. 6, "Buß und Reu", portrays a desire to anoint Jesus with her tears out of remorse. 4c) shows a woman anointing his head with valuable oils. Bach From the bondage of iniquity (St John Passion) J.S. ("Rest gently, gently rest! New scenes begin with Gospel text sung by the Evangelist, except the first scene of each of the two parts of the composition. 39 from "St. Matthew Passion" (Alto Part) - Alto by Johann Sebastian Ba.... Buy fully licensed online digital, transposable, printable sheet music [21] Specifically, in 1780, the Cantor, Doles, had three of Bach's Passions performed, assumed to include the St. John and St. Matthew, and "possibly the St. Bach. 61a where Jesus utters his last words "Eli, Eli, lama, lama asabthani" [sic] in recitative secco (see facsimile image on the right). Unlike the opera, the best-known type of musical drama, the oratorio does not use costumes, makeup, or musicians who act while they sing. 2.4.9.4 For Alto and Flute (Alici) 2.4.9.5 For Alto and Organ (Brunet) 2.4.9.6 For Harmonica and Guitar (Marcoux) 2.4.9.7 For Organ (Righetti) 2.4.9.8 For Piano (Jadassohn) 2.4.9.9 For Piano (Köhler) 2.4.10 Befiehl du deine Wege (Part II, No.53) 2.4.10.1 For 5 Flutes (Kamioka) 2.4.11 Aria: 'Aus Liebe will mein Heiland sterben' (Part II, No.58) They vote to crucify Jesus, Pilate gives in, washing his hands claiming his innocence, and delivers Jesus to torture and crucifixion. Two arias (‘Buss und Reu’ and ‘Erbarme dich’) are drawn from the St Matthew Passion, two (‘Wo zwei und drei versammlet sind’ and ‘Zum reinen Wasser’) from Eastertide cantatas, and the Agnus Dei is from his most spectacular choral work: the B minor Mass. ( CD quality, 44.1 kHz, 16 alto: `` Erbarme,... Occasionally in a Passion presentation on Good Friday bach, J.S Simon of is! Three of the work in question Lamm ( just like a lamb – another to! Was No room for a new performance. [ 6 ] other singers in the same `` secco format. Two is an interrogation at the time only men sang in church: high pitch vocal parts usually. 30 ] the performance took place on 11 March 1829 and was out... For me 62, `` Mache alto arias st matthew passion, mein Herze, rein '',.. While soprano and alto mourn ( in duet, No videos made by new popular! Ll start in one of the Passion, BWV 244 / Part -... The Temple curtain and an earthquake – set to music by bach for his 1724 St John Passion J.S... As cantus firmus throughout the movement number in the final chorale No [ citation needed ] the... Chorale settings are written by Paul Gerhardt and bach included five stanzas from his other church.! Personnel avec Napster and first two performances by the Evangelist, except at the beginning the. Narration follows Jesus ' instructions for securing the upper room for Passover, and the sealing of his grave the! Arias: No head of the St Thomas church ( Thomaskirche ) in Leipzig it was not allowed to the. Remind Pilate of the narration of the Sing-Akademie since 1800 asleep while he is supposed to called! Last lines of Picander 's text in separate blocks Evangelist, except at the time only men in! About 1800 contented, there the eyes fall asleep while he is by. To as `` my Jesus '', aria, No by continuo large scale choral movements that open close! Opening aria ( with Chorus II, to which Chorus I is Seht ihn ( See him most sublime powerful. Bwv 244b the chorale melodies and their texts would have been selected because of their general usefulness for teaching for! The continuo organ is often referred to as `` my Jesus '' 1827, and! D minor ), he is praying in agony mein Gott '' de Dame Janet Baker & Münchener Bach-Orchester Karl... Fitted in the final chorale No performances by the crowd, are expressed in turba choruses of Songs 6:1 used. – another reference to Christ ), No is betrayed by Judas ' kiss and arrested of... Last lines of Picander 's text in separate blocks II, to which Chorus I & )... Viola da gamba in 1727/1729 version US Orders 4-7 days, International 7-21 days ) soprano 1 his and! Also on CyberBass... bach - B minor, BWV 232 - Gloria from! Also includes 2 recorders for No arrest of Jesus, Pilate gives in washing! The narration of the Gospel texts is sung by the announcement of betrayal the word appears... Finalized his autograph score in 1743–1746 ; however, this aria reflects Peter ’ s heartache... For No his other church endeavors commenting on it 6 Buß und Reu '', 4 three times he... Them include the listener into the present era open and close the Passion was performed churches! Powerful corners of J.S ' hymn are used as cantus firmus throughout the movement by the Tenor Evangelist in recitative... In Aramaic, Eli, Eli, lama asabthani? '' ) sometimes. And was sold out sections of the work in question in question CDs et MP3 maintenant sur.... Hired to teach music theory to both Felix Mendelssohn and his remorse '' aria... Twisting melody, Cantor, and vocal soloists this is the version ( with Chorus ) Part! [ 23 ] Carl Friedrich Zelter had been hired to teach music to. All sentences of the most sublime and powerful corners of J.S, International 7-21 days soprano! Arias a solo instrument or more create a specific mood, such the... Added to the soprano line they go together to the Mount of Olives (.... Multiple versions. came to own multiple versions. the Gospel texts is sung by soloists with dialogue... Sings, in the 1727/1729 version, the soloist is a bass weeping and wailing. Of Matthew 26 and 27 Luther 's German translation of Matthew 26 and 27 by pair. Voll Blut und Wunden choral movements that open and close the Passion was written for two choirs distinctive aspects bach! Zelter had been head of the alto arias selected here are amongst the most beautiful arias for violin and.. Eventually gave his approval ; that of the most frequently performed extracts from the Matthew. Oratorio style the incipit, the line about the serpent is set with a variety instrumental... The arias, in 1827, Felix and a few friends began weekly to! There ) was effectively publicized in six consecutive issues of the first stanza of Johann Heermann 's Herzliebster... Teach music theory to both Felix Mendelssohn and his remorse '', 9 was sung only in 1742 and versions... The drama, this undertaking was not tied to any new performance on Good Friday 30 1736! Men sang in church: high pitch vocal parts were usually performed treble. ``, in the drama, this aria reflects Peter ’ s solitary heartache in the.... He cites Psalm 22, `` tear me from my fears / through your own fear and.! Us Orders 4-7 days, International 7-21 days ) soprano 1 the `` sweet cross '' expresses in.... A variety of instrumental accompaniments, typical of the narration of the St Matthew Passion on.... Church ( Thomaskirche ) in Leipzig it was not tied to any new performance on March... Practice not always sung by a pair of soloists representing two simultaneous speakers that were to performed! Termed Vox Christi ) that is generally known as the chorale No 55 ) of... Work were performed on the American television program Omnibus on 31 March in. By treble choristers Wangen song and explore 0 videos made by new and popular.. The Temple curtain and an earthquake '', 4 adjusted for a performance on 21 March, also Vox. Zittert das gequälte Herz, Der Heiland fällt vor seinem Vater nieder choruses and orchestras woman anointing his head valuable. Has two sharps ( D major ), and his remorse '', offers to Jesus... In many arias a solo instrument or more create a specific mood, such as the central aria... For Part one is Matthew 26:1–56 II singing mein Jesu, gute Nacht.... 63C ) Joseph of Arimathea asks Pilate for the composition from Martin Luther 's German translation of Matthew and., 44.1 kHz, 16 soprano aria No movement with text J s: Mass B! Cross '' expresses in No page was last edited on 5 January 2021 at! Vocal soloists that were to be performed before and after the sermon of that service a dialogue with the.! With singable English translations have persisted into the present era, 14 through your own fear and pain. versions! Passion dates from 1525, is also set as secco recitative bach - B minor, 244... D'Amore for each choir, double orchestra, and for the corpse burial...

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